At Edinburgh Weavers we live and breathe textiles. Each of our artworks is a labour of love, carefully conceived by our in-house artists and collaborators, fusing art and textiles in a tradition first established by the inspirational Alastair Morton almost a century ago.
This design was inspired by a charming English garden, which exudes elegance. The aristocratic Peonies are the focal, supported by blooming buds and enchanting earthy leaves which brings a warm hue to the home.
Inspired by Persian art, the Perdita design has been revived from the depths of Edinburgh Weavers archives as a conversational piece. The design displays a scene of polo players cantering across a village, passing trees, birds, and oriental ornaments. The intricate details of Perdita cannot be overlooked, along with the autumnal pops of colour on a natural background.
Our ode to the planet, Rajah is inspired by Sir David Attenborough and his series "Rewild The Earth". This earthy design keeps the colour paired back to let the playful and quirky natural elements take centre stage against a sophisticated texture.
Our Tapis Oyster design is reminiscent of the arts and craft movement of the 1880’s. It encompasses the decorative, organic structures and mirroring motifs of the time. Refreshed with its neutral tones, and pops of powder blue this will compliment any space in the home.
Embodying the streets of the Cuban city, Tivoli Cirrus is a striking print which combines an organic colour palette with a soft and understated sketched take on a leaf print.
Embodying the style of the streets of the Cuban city, Tivoli Gilt is a striking print which combines an organic colour palette with a soft and understated sketched take on a leaf print.
Embodying the beautiful and vibrant style of the streets of the Cuban city, Tivoli Havana is a striking print which combines a bright and lively organic colour palette with a soft and understated sketched take on a leaf print.
Influenced by the antique Batik dying process, emerges the Zagar print. Batik dying is an Indonesian technique of wax-resistant dying, allowing the artist to colour selectively. The decorative Zagar pays homage to this approach, with the variation of the ground and the movement of the leaves.